The World's Oldest Teenager
Rufus Thomas, Jr. was an American rhythm and blues, funk, soul and blues singer, songwriter, dancer, DJ and comic entertainer from Memphis, Tennessee. He recorded for several labels including Chess and Sun in the 1950s, before becoming established in the 1960s and 1970s at Stax Records. He is best known for his novelty dance records including "Walking the Dog" (1963), "Do the Funky Chicken" (1969) and "(Do the) Push and Pull" (1970). According to the Mississippi Blues Commission, "Rufus Thomas embodied the spirit of Memphis music perhaps more than any other artist, and from the early 1940s until his death... occupied many important roles in the local scene."
His career began as a tap dancer, vaudeville performer, and master of ceremonies in the 1930s, and he later also worked as a disc jockey on radio station WDIA in Memphis, both before and after his recordings became successful. He remained active into the 1990s, and as a performer and recording artist was often billed as "The World's Oldest Teenager". He was the father of singers Carla Thomas (with whom he recorded duets) and Vaneese Thomas, and keyboard player Marvell Thomas.
Born a sharecropper's son in the rural community of Cayce, Mississippi, Thomas moved to Memphis, Tennessee with his family around 1920. His mother was "a church woman". Thomas made his debut as a performer at the age of six, playing a frog in a school theatrical production. By the age of 10, he was a tap dancer, performing on the streets as well as in amateur productions at Memphis' Booker T. Washington High School. From the age of 13, he worked with Nat D. Williams, his high school history teacher who was also a pioneer black DJ at WDIA and columnist for black newspapers, as a master of ceremonies at talent shows in the Palace Theater on Beale Street.
Thomas also began performing in traveling tent shows. After graduating from high school, he attended one semester at Tennessee A&I University, but due to economic constraints left to pursue a career as a full-time entertainer. In 1936 he joined the Rabbit Foot Minstrels, an all-black revue that toured the South, as a tap dancer and comedian, sometimes part of a duo, Rufus and Johnny. He married Cornelia Lorene Wilson in 1940, at a service officiated by Aretha Franklin's father, Rev. C. L. Franklin, and the couple settled in Memphis. Thomas worked a day job in the American Finishing Company textile bleaching plant, which he continued to do for over 20 years. He also formed a comedy and dancing duo, Rufus and Bones, with Robert "Bones" Couch, and they took over as MCs at the Palace Theater, often presenting amateur hour shows. One early winner was B. B. King, and others first discovered by Thomas later in the 1940s included Bobby Bland and Johnny Ace.
In the early 1940s, Thomas began writing and performing his own songs. He regarded Louis Armstrong, Fats Waller and Gatemouth Moore as his musical influences. He made his professional singing debut at the Elks Club on Beale Street, filling in for another singer at the last minute, and during the 1940s became a regular performer in Memphis nightclubs such as Currie`s Club Tropicana. As an established performer in Memphis, aged 33 in 1950, Thomas recorded his first 78 rpm single, for Jesse Erickson's small Star Talent label in Dallas, Texas. Thomas said: "I just wanted to make a record. I never thought of getting rich. I just wanted to be known, be a recording artist..... [But] the record sold five copies and I bought four of them." The record, "I'll Be a Good Boy" / "I'm So Worried", gained a Billboard review stating: "Thomas shows first class style on a slow blues". He also recorded for the Bullet label in Nashville, Tennessee, when he recorded with Bobby Plater's Orchestra and was credited as "Mr. Swing"; the recordings were not recognized by researchers as being by Thomas until 1996. In 1951 he made his first recordings at Sam Phillips' Sun Studio, for the Chess label, but they were not commercially successful.
He began working as a DJ at radio station WDIA in 1951, and hosted an afternoon R&B show called Hoot and Holler. WDIA, featuring an African-American format, was known as "the mother station of the Negroes" and became an important source of blues and R&B music for a generation, its audience consisting of white as well as black listeners. Thomas used to introduce his shows saying: "I'm young, I'm loose, I'm full of juice, I got the goose so what's the use. We're feeling gay though we ain't got a dollar, Rufus is here, so hoot and holler." He also used to lead tours of white teenagers on "midnight rambles" around Beale Street.
His celebrity in the South was such that in 1953, at Sam Phillips' suggestion, he recorded an "answer record" to Big Mama Thornton's R&B hit, "Hound Dog", called "Bear Cat" released on Sun Records. The record became the label's first national chart hit, reaching #3 on the Billboard R&B chart. However, a copyright-infringement suit placed by Don Robey, the original publisher of "Hound Dog", nearly bankrupted the record label. After only one recording there, Thomas was one of the African-American artists released by Phillips, as he oriented his label more toward white audiences and signed Elvis Presley, who later recorded Thomas' song "Tiger Man". Thomas did not record again until 1956, when he made a single, "I'm Steady Holdin' On", for the Bihari brothers' Meteor label; musicians on the record included Lewie Steinberg, later a founding member of Booker T and the MGs.
His career began as a tap dancer, vaudeville performer, and master of ceremonies in the 1930s, and he later also worked as a disc jockey on radio station WDIA in Memphis, both before and after his recordings became successful. He remained active into the 1990s, and as a performer and recording artist was often billed as "The World's Oldest Teenager". He was the father of singers Carla Thomas (with whom he recorded duets) and Vaneese Thomas, and keyboard player Marvell Thomas.
Born a sharecropper's son in the rural community of Cayce, Mississippi, Thomas moved to Memphis, Tennessee with his family around 1920. His mother was "a church woman". Thomas made his debut as a performer at the age of six, playing a frog in a school theatrical production. By the age of 10, he was a tap dancer, performing on the streets as well as in amateur productions at Memphis' Booker T. Washington High School. From the age of 13, he worked with Nat D. Williams, his high school history teacher who was also a pioneer black DJ at WDIA and columnist for black newspapers, as a master of ceremonies at talent shows in the Palace Theater on Beale Street.
Thomas also began performing in traveling tent shows. After graduating from high school, he attended one semester at Tennessee A&I University, but due to economic constraints left to pursue a career as a full-time entertainer. In 1936 he joined the Rabbit Foot Minstrels, an all-black revue that toured the South, as a tap dancer and comedian, sometimes part of a duo, Rufus and Johnny. He married Cornelia Lorene Wilson in 1940, at a service officiated by Aretha Franklin's father, Rev. C. L. Franklin, and the couple settled in Memphis. Thomas worked a day job in the American Finishing Company textile bleaching plant, which he continued to do for over 20 years. He also formed a comedy and dancing duo, Rufus and Bones, with Robert "Bones" Couch, and they took over as MCs at the Palace Theater, often presenting amateur hour shows. One early winner was B. B. King, and others first discovered by Thomas later in the 1940s included Bobby Bland and Johnny Ace.
In the early 1940s, Thomas began writing and performing his own songs. He regarded Louis Armstrong, Fats Waller and Gatemouth Moore as his musical influences. He made his professional singing debut at the Elks Club on Beale Street, filling in for another singer at the last minute, and during the 1940s became a regular performer in Memphis nightclubs such as Currie`s Club Tropicana. As an established performer in Memphis, aged 33 in 1950, Thomas recorded his first 78 rpm single, for Jesse Erickson's small Star Talent label in Dallas, Texas. Thomas said: "I just wanted to make a record. I never thought of getting rich. I just wanted to be known, be a recording artist..... [But] the record sold five copies and I bought four of them." The record, "I'll Be a Good Boy" / "I'm So Worried", gained a Billboard review stating: "Thomas shows first class style on a slow blues". He also recorded for the Bullet label in Nashville, Tennessee, when he recorded with Bobby Plater's Orchestra and was credited as "Mr. Swing"; the recordings were not recognized by researchers as being by Thomas until 1996. In 1951 he made his first recordings at Sam Phillips' Sun Studio, for the Chess label, but they were not commercially successful.
He began working as a DJ at radio station WDIA in 1951, and hosted an afternoon R&B show called Hoot and Holler. WDIA, featuring an African-American format, was known as "the mother station of the Negroes" and became an important source of blues and R&B music for a generation, its audience consisting of white as well as black listeners. Thomas used to introduce his shows saying: "I'm young, I'm loose, I'm full of juice, I got the goose so what's the use. We're feeling gay though we ain't got a dollar, Rufus is here, so hoot and holler." He also used to lead tours of white teenagers on "midnight rambles" around Beale Street.
His celebrity in the South was such that in 1953, at Sam Phillips' suggestion, he recorded an "answer record" to Big Mama Thornton's R&B hit, "Hound Dog", called "Bear Cat" released on Sun Records. The record became the label's first national chart hit, reaching #3 on the Billboard R&B chart. However, a copyright-infringement suit placed by Don Robey, the original publisher of "Hound Dog", nearly bankrupted the record label. After only one recording there, Thomas was one of the African-American artists released by Phillips, as he oriented his label more toward white audiences and signed Elvis Presley, who later recorded Thomas' song "Tiger Man". Thomas did not record again until 1956, when he made a single, "I'm Steady Holdin' On", for the Bihari brothers' Meteor label; musicians on the record included Lewie Steinberg, later a founding member of Booker T and the MGs.