My Work
Raymond Matthews Brown was an influential American jazz double bassist and cellist, known for extensive work with Oscar Peterson and Ella Fitzgerald, among many others.
Ray Brown was born in Pittsburgh, Pennsylvania and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass.
A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene on 52nd Street in New York City, he bought a one-way ticket to New York. He arrived in New York at the age of 20, met up with Hank Jones, with whom he had previously worked, and was introduced to Dizzy Gillespie, who was looking for a bass player. Gillespie hired Brown on the spot, and he soon played with such established musicians as Art Tatum and Charlie Parker.
From 1946 to 1951 Brown played in Gillespie's band. Brown, along with the vibraphonist Milt Jackson, drummer Kenny Clarke, and pianist John Lewis formed the rhythm section of the Gillespie band. Lewis, Clarke, and Jackson eventually formed the Modern Jazz Quartet. Brown became acquainted with singer Ella Fitzgerald when she joined the Gillespie band as a special attraction for a tour of the southern United States in 1947. The two married that year, and together they adopted a child born to Fitzgerald's half-sister Frances, whom they christened Ray Brown, Jr. Fitzgerald and Brown divorced in 1953, bowing to the various career pressures both were experiencing at the time, though they would continue to perform together.
Around this time Brown was also appearing in Jazz at the Philharmonic concerts, organized by Norman Granz. It was at a Jazz at the Philharmonic concert in 1949 that Brown first worked with the jazz pianist Oscar Peterson, in whose trio Brown would play from 1951 to 1966. Between 1957 and 1959, Brown appeared on Blossom Dearie's first five recordings for Verve Records. After leaving the Trio he became a manager and promoter as well as a performer. In 1966, he settled in Los Angeles, where he was in high demand working for various television show orchestras. He also accompanied some of the leading artists of the day, including Tony Bennett, Billy Eckstine, Frank Sinatra, Sarah Vaughan, and Nancy Wilson. He also managed his former musical partners, the Modern Jazz Quartet, as well as a young Quincy Jones, produced some shows for the Hollywood Bowl, wrote jazz bass instruction books, and developed a jazz cello. Also in Los Angeles he composed music for films and television shows.
Ray Brown was born in Pittsburgh, Pennsylvania and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass.
A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene on 52nd Street in New York City, he bought a one-way ticket to New York. He arrived in New York at the age of 20, met up with Hank Jones, with whom he had previously worked, and was introduced to Dizzy Gillespie, who was looking for a bass player. Gillespie hired Brown on the spot, and he soon played with such established musicians as Art Tatum and Charlie Parker.
From 1946 to 1951 Brown played in Gillespie's band. Brown, along with the vibraphonist Milt Jackson, drummer Kenny Clarke, and pianist John Lewis formed the rhythm section of the Gillespie band. Lewis, Clarke, and Jackson eventually formed the Modern Jazz Quartet. Brown became acquainted with singer Ella Fitzgerald when she joined the Gillespie band as a special attraction for a tour of the southern United States in 1947. The two married that year, and together they adopted a child born to Fitzgerald's half-sister Frances, whom they christened Ray Brown, Jr. Fitzgerald and Brown divorced in 1953, bowing to the various career pressures both were experiencing at the time, though they would continue to perform together.
Around this time Brown was also appearing in Jazz at the Philharmonic concerts, organized by Norman Granz. It was at a Jazz at the Philharmonic concert in 1949 that Brown first worked with the jazz pianist Oscar Peterson, in whose trio Brown would play from 1951 to 1966. Between 1957 and 1959, Brown appeared on Blossom Dearie's first five recordings for Verve Records. After leaving the Trio he became a manager and promoter as well as a performer. In 1966, he settled in Los Angeles, where he was in high demand working for various television show orchestras. He also accompanied some of the leading artists of the day, including Tony Bennett, Billy Eckstine, Frank Sinatra, Sarah Vaughan, and Nancy Wilson. He also managed his former musical partners, the Modern Jazz Quartet, as well as a young Quincy Jones, produced some shows for the Hollywood Bowl, wrote jazz bass instruction books, and developed a jazz cello. Also in Los Angeles he composed music for films and television shows.